Craig Blacklock

November 30, 2018
On the rivers, there is the pull of gravity drawing me downstream. It creates its own rhythms of standing waves and swirling eddies. Then there is the long, slow inhalation and exhalation of changing water levels.
March 1, 2018
For forty years, my career has featured the interface between land and water — most of it on Lake Superior. Paddling over and camping along water, its rhythms have become a part of me. On Lake Superior, the sound of waves is as constant as breathing — the silence is shocking when I walk inland.
December 2, 2015
On calm mornings and evenings, the sandstone cliffs, rising hundreds of feet from the lake, are perfectly reflected below. While working with art models, the images, for me, always start with the landscape and my feelings about the land. I strive to utilize the figure as a way to connect the viewer in a deeper way to the sense of place. What does it feel like to be immersed by this environment?
October 14, 2015
When I first became aware of mindfulness-based meditation, my initial reaction was, “this is nothing new — this is what I do every time I make a photograph! I’ve been striving to get better at this my whole life.”
May 12, 2015
Charred white pine and lichen growth following 1971 Nina-Moose burn in the Boundary Waters Canoe Area Wilderness. From the book, border Country, Photographs from the Quetico-Superior Wilderness.
May 17, 2014
For us Northerners, who have just lived through the cold and long nights of winter, the thought of spring brings on a torrent of adrenalin as full and fast as the snowmelt-flooded streams. With the longer days and warming temperatures comes new growth—a procession of wildflowers, each emerging at the optimal time to out-compete the neighbors for sunlight and fertilizing insects.